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Recent Broadsides

Learn more about viewing and ordering most of these and other broadsides here and by contacting the artist

Left to right/top to bottom:

It Matters by Hala Alyan in collaboration with Andrea Shaker, 2024 (purchase at Mizna.org to raise money for Palestinian poet Yahya Ashour and his family)

Excerpt from Braiding Sweetgrass by Robin Wall Kimmerer in collaboration with Derick Wycherly, 2022

i am graffiti by Leanne Betasamosake Simpson in collaboration with Derick Wycherly, 2023

CSB and SJU Land Acknowledgement, 2022

Excerpt from The Good Echo by Shena McAuliffe, in collaboration with Rachel Marston, 2019

Distance Between Fire and Stone by Tarfia Faizullah, 2018

Excerpt from Look by Solmaz Sharif, in collaboration with Andrea Shaker and Scott Murphy, 2017

In the Blizzard by Mark Conway, in collaboration with Scott Muprhy, 2019

Excerpt from Bunk by Kevin Young, 2017

Addendum to Citizen by Claudia Rankine, in collaboration with Kate Minnich, 2015

The Moon is Always Full (for The End of Times portfolio), 2012

The TIme is Now, for The End of Times II portfolio, 2017

Excerpt from My Mother's Body by Marie Howe, in collaboration with Mary Bruno, 2015

Recent Posters

In early 2021, inspired by a Louise Erdrich post in the New York Times about the dangers of Enbridge Energy’s Line 3, my family and I visited the Water Protector Welcome Center and Camp near Palisade, Minnesota. Motivated by Winona LaDuke, Honor the Earth, and the community of activists caring for the land and water, I contacted the movement’s arts organizers to see how I might use my letterpress printing to contribute to the cause. I started printing that winter out of anger at Enbridge, and Minnesota regulators for risking the health of our environment. I kept making posters out of awe and respect for the Water Protectors I met in the protest process. Today the fight against Enbridge continues in Minnesota, Wisconsin, and Michigan.

Learn more about viewing and ordering these and other posters (or commissioning new ones) here and by contacting the artist. See them being used in this Getty Photos image published in the New Yorker and Vogue. 

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